Mar 15, 2006 - His collection was translated into Russian in 1768 as Skazki o. Between an Orthodox monastery and a fairy tale teremok) into a modern. Strannyi geroi s Bassei- noi ulitsy. Druzhat s kartinkami (Moscow, 1983), 16 –17.
Title: Walter J Kasura Russian Folk Music Collection, 1960-1983 ID: 12/5/61 Primary Creator: Other Creators: Extent: 97.6 cubic feet Arrangement: Organized into three series. Series 1: Published Songs, Series 2: Instrumental Music--which contains Sub-Series 1: Russian, Belorussian, and Ukrainian Folk Song Arrangements, Sub-Series 2: Nicholas Grushko Arrangements, Sub-Series 3: Emanuil Sheynkman Arrangements, and Sub-Series 4: Prima Balalaika Music-- Series 3: Personal Papers, and Series 4: American Popular Music.
Processing of this collection was done by multiple people over multiple years; therefore, there is some differences in formatting within the finding aid. Originally, the collection was organized by EC number, some of which are indicated in the finding aid.
Some of the records are also cataloged in the University of Illinois Library Catalog. Box 264 was found after the collection was finished--it fits intellectually in Series 2, Sub-Series 1 between Box 90 and 91. Box 265 was also found after the collection was finished--it fits intellectually in Series 2, Sub-Series 1 between Box 113 and 114. Original EC numbers 732 and 1058 are still missing. Date Acquired:.
Karta Polaka - specimen document Karta Polaka, literally meaning Pole's Card, but also translated as Polish Charter [ ] or Polish Card, is a document confirming belonging to the, which may be given to individuals who cannot obtain dual citizenship in their own countries while belonging to the Polish nation according to conditions defined by law; and, who do not have prior or in Poland. Konfekcionnaya karta paljto. It was established by an act of the dated 7 September 2007 called the Act on the Pole's Card ( Ustawa o Karcie Polaka, 2007 no. 180/1280), which specifies the rights of the holder of the Card, the rules for granting, loss of validity and rescission of the Card, and the of the 's bodies and procedures in these cases.
Subjects:,, Formats/Genres: Languages:,, Scope and Contents of the Materials. Consists of manuscripts, research notes, personal papers, and published works, including Russian and gypsy folk songs, other vocal and choral works, instrumental solos, scores and parts for orchestral and chamber performing ensembles (including many arrangements by Kasura), instrumental methods books, and reference books on performance practice, repertory, and historical development of the balalaika, domra, and Slavic folk orchestra. Note to researchers: Many of these scores are written in Cyrillic, and there are some differences in transliteration. Here are some examples of the same Cyrillic combinations transliterated different ways: ch and zh; yaya and iaia; cz and ts; skaya and skaia; skogo and sky and ski(i). When searching for a particular piece, please use both options.
For example 'tanecz' and 'tanets'; 'Rimskogo-Korsakov' and 'Rimsky-Korsakov.' See also record series number 35/3/68. Biographical Note. Walter Kasura was born in New York City to Russian emigre parents. He studied music theory and arrangement under Alexander Ivanoff, a graduate of the St. Petersburg Conservatory.
He also received further guidance from the well-known Peter Biljo, who performed regularly on the CBS radio program 'Around the Samovar.' His performing experience included a small group called the Moscow Balalaika Ensemble, the professional wing of the Balalaika and Domra Society. He played club dates, parties, on radio and television, at leading hotels in Miami, Quebec, and New York, and at the Metropolitan Museum of Art.
In 1977 the Ridgewood Symphony Orchestra of New Jersey and the North Jersey Philharmonic with Leonard Davis as balalaika soloist performed one of his arrangements. The latter concert drew a crowd of over 5,000 people. In 1979 Walter was awarded a grant to teach balalaika and domra seminars at the University of Illinois and to direct in concert the University of Illinois Balalaika Orchestra. Subject/Index Terms. Repository: The Sousa Archives and Center for American Music Accruals: Additions acquired from the Music and Performing Arts Library on May 3, 2016.
Acquisition Source: Walter J. Kasura Family Acquisition Method: Gift Box and Folder Listing Browse by Series: [], [], [], [], [All] Series 1: Published Songs, c.1810-1970 Consists of photocopies and manuscripts of Russian vocal music. Arranged alphabetically by title in Russian. Box 1 Folder 1: A byt' mozhet, i ne tak?, undated Composer/Arranger: Averkin, A.
Mar 15, 2006 - His collection was translated into Russian in 1768 as Skazki o. Between an Orthodox monastery and a fairy tale teremok) into a modern. Strannyi geroi s Bassei- noi ulitsy. Druzhat s kartinkami (Moscow, 1983), 16 –17.
Title: Walter J Kasura Russian Folk Music Collection, 1960-1983 ID: 12/5/61 Primary Creator: Other Creators: Extent: 97.6 cubic feet Arrangement: Organized into three series. Series 1: Published Songs, Series 2: Instrumental Music--which contains Sub-Series 1: Russian, Belorussian, and Ukrainian Folk Song Arrangements, Sub-Series 2: Nicholas Grushko Arrangements, Sub-Series 3: Emanuil Sheynkman Arrangements, and Sub-Series 4: Prima Balalaika Music-- Series 3: Personal Papers, and Series 4: American Popular Music.
Processing of this collection was done by multiple people over multiple years; therefore, there is some differences in formatting within the finding aid. Originally, the collection was organized by EC number, some of which are indicated in the finding aid.
Some of the records are also cataloged in the University of Illinois Library Catalog. Box 264 was found after the collection was finished--it fits intellectually in Series 2, Sub-Series 1 between Box 90 and 91. Box 265 was also found after the collection was finished--it fits intellectually in Series 2, Sub-Series 1 between Box 113 and 114. Original EC numbers 732 and 1058 are still missing. Date Acquired:.
Karta Polaka - specimen document Karta Polaka, literally meaning Pole's Card, but also translated as Polish Charter [ ] or Polish Card, is a document confirming belonging to the, which may be given to individuals who cannot obtain dual citizenship in their own countries while belonging to the Polish nation according to conditions defined by law; and, who do not have prior or in Poland. Konfekcionnaya karta paljto. It was established by an act of the dated 7 September 2007 called the Act on the Pole's Card ( Ustawa o Karcie Polaka, 2007 no. 180/1280), which specifies the rights of the holder of the Card, the rules for granting, loss of validity and rescission of the Card, and the of the 's bodies and procedures in these cases.
Subjects:,, Formats/Genres: Languages:,, Scope and Contents of the Materials. Consists of manuscripts, research notes, personal papers, and published works, including Russian and gypsy folk songs, other vocal and choral works, instrumental solos, scores and parts for orchestral and chamber performing ensembles (including many arrangements by Kasura), instrumental methods books, and reference books on performance practice, repertory, and historical development of the balalaika, domra, and Slavic folk orchestra. Note to researchers: Many of these scores are written in Cyrillic, and there are some differences in transliteration. Here are some examples of the same Cyrillic combinations transliterated different ways: ch and zh; yaya and iaia; cz and ts; skaya and skaia; skogo and sky and ski(i). When searching for a particular piece, please use both options.
For example 'tanecz' and 'tanets'; 'Rimskogo-Korsakov' and 'Rimsky-Korsakov.' See also record series number 35/3/68. Biographical Note. Walter Kasura was born in New York City to Russian emigre parents. He studied music theory and arrangement under Alexander Ivanoff, a graduate of the St. Petersburg Conservatory.
He also received further guidance from the well-known Peter Biljo, who performed regularly on the CBS radio program 'Around the Samovar.' His performing experience included a small group called the Moscow Balalaika Ensemble, the professional wing of the Balalaika and Domra Society. He played club dates, parties, on radio and television, at leading hotels in Miami, Quebec, and New York, and at the Metropolitan Museum of Art.
In 1977 the Ridgewood Symphony Orchestra of New Jersey and the North Jersey Philharmonic with Leonard Davis as balalaika soloist performed one of his arrangements. The latter concert drew a crowd of over 5,000 people. In 1979 Walter was awarded a grant to teach balalaika and domra seminars at the University of Illinois and to direct in concert the University of Illinois Balalaika Orchestra. Subject/Index Terms. Repository: The Sousa Archives and Center for American Music Accruals: Additions acquired from the Music and Performing Arts Library on May 3, 2016.
Acquisition Source: Walter J. Kasura Family Acquisition Method: Gift Box and Folder Listing Browse by Series: [], [], [], [], [All] Series 1: Published Songs, c.1810-1970 Consists of photocopies and manuscripts of Russian vocal music. Arranged alphabetically by title in Russian. Box 1 Folder 1: A byt' mozhet, i ne tak?, undated Composer/Arranger: Averkin, A.